Sim, gostei.
dreamager:

Burt Glinn via
“New York City—An Ad Reinhardt painting at the Museum of Modern Art, 1964.”

dreamager:

Burt Glinn via

“New York City—An Ad Reinhardt painting at the Museum of Modern Art, 1964.”

tatianaadami:

Otto DixNude (For Francisco Goya)1926 National Gallery of Canada, Ottawa

tatianaadami:

Otto Dix
Nude (For Francisco Goya)
1926 
National Gallery of Canada, Ottawa

pmikos:
WALTER VAES 1882 - 1958
Zilverwerk en zalm (1927)
 (by artinconnu)

pmikos:

WALTER VAES 1882 - 1958

Zilverwerk en zalm (1927)

 (by artinconnu)

mirroir:

Page, taken from an early 15th Century French Book of Hours, depicting St George slaying a dragon.

mirroir:

Page, taken from an early 15th Century French Book of Hours, depicting St George slaying a dragon.

signorcasaubon:christianicon:

Rare images of The Holy Trinity

This depiction of the Holy Trinity is also popular among the Latin Christians. I’ve seen versions of it in Spanish, Italian, and Latin American iconographic traditions.

publicartfund:

For this next #FashionFriday, we bring you Louise Bourgeois in 1978.

publicartfund:

For this next #FashionFriday, we bring you Louise Bourgeois in 1978.

fckyeaharthistory:

Franz Kline - Black Reflection, 1959. Oil on canvas 
From the Metropolitan Museum of Art, NYC:

In 1956, Kline reintroduced color. Black Reflections, an intensely colored small work on paper, may in fact relate to an earlier black and white piece. Kline’s work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes, is, in fact, carefully considered. The sweeps and rapid brushings of both thick and diluted paint are the product of much meditation. He often drew inspiration for large compositions from small studies, and he also continued explorations of key elements in works even years after their creation. In this case, the central black shape is a mirror image of the shape in a black and white untitled painting of 1954.

fckyeaharthistory:

Franz Kline - Black Reflection, 1959. Oil on canvas 

From the Metropolitan Museum of Art, NYC:

In 1956, Kline reintroduced color. Black Reflections, an intensely colored small work on paper, may in fact relate to an earlier black and white piece. Kline’s work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes, is, in fact, carefully considered. The sweeps and rapid brushings of both thick and diluted paint are the product of much meditation. He often drew inspiration for large compositions from small studies, and he also continued explorations of key elements in works even years after their creation. In this case, the central black shape is a mirror image of the shape in a black and white untitled painting of 1954.

mllemia:

venusmilk:Reinhold Max Eichler (1872-1947)
mediaeval-art:

Domenico Ghirlandaio, Birth of Mary(Detail), 1486-90.

mediaeval-art:

Domenico Ghirlandaio, Birth of Mary(Detail), 1486-90.

El Greco before his trip do Venice

El Greco before his trip do Venice

2headedsnake:

baeditions.com:raymond-pettibon
RAYMOND PETTIBON - Untitled (Don’t Look Back), 2005, Color lithograph, 30 x 22 1/4 in. / 76 x 55.6 cm.

2headedsnake:

baeditions.com:raymond-pettibon

RAYMOND PETTIBON - Untitled (Don’t Look Back), 2005, Color lithograph, 30 x 22 1/4 in. / 76 x 55.6 cm.